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| Lossless MXF to ProRes conversion on Mac (macOS Si | |
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| Tweet Topic Started: Sep 23 2016, 10:46:14 AM (121 Views) | |
| lauralily520 | Sep 23 2016, 10:46:14 AM Post #1 |
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[size0]In this article, we will bring you a simple method to convert MXF to ProRes in Mac macOS Sierra without losing quality. Final Cut Pro offers real-time performance for more than 150 filters and effects. You probably would like to use Final Cut Pro to edit some MXF recordings from a Canon, Sony or Panasonic camcorder to get more wonderful video files. While, some errors appeared while import MXF to Final Cut Pro: file import failure, audio going out of sync, video but no audio when brought into the timeline. Since FCP is designed to work best in ProRes, so the best method to fix the compatibility issues is to transcode MXF to Apple ProRes codec on Mac. Also, you probably sink into deep ambivalence, if you are keen on playing converted MXF videos with high definition video quality on macOS Sierra but find your previous MXF Converter can’t convert MXF videos on macOS Sierra? ![]() To fulfill the task, you can get Brorsoft MXF Converter for Mac, which is highly recommended by some professional forums. In general, this MXF to ProRes Converter is fully compatible with Mac OS X El Capitan that can help you transcode .mxf to ProRes 422, ProRes 422 HQ or 4444 for Final Cut Pro with several simple steps. Besides, the Mac tool also supports professional encoders like Apple Intermediate Codec, DNxHD, MPEG-2, etc for iMovie, FCE, Avid Media Composer or Adobe Premiere Pro and more editing programs. Just download the software and follow the step-by-step guide. ![]() Converting MXF to ProRes .MOV on Mac OS X macOS Sierra 1. Load MXF files to the program You can directly drag and drop the .mxf files to the software, or click “Add” button to locate the source files into the best MXF to ProRes Converter. ![]() 2. Choose Final Cut Pro Profile Press “Format” option and navigate the mouse cursor to choose “Format > Final Cut Pro > Apple ProRes 422 (*.mov)” as the best codec for FCP 6/7 and FCP X on Mac. ![]() Tip: Before conversion, you can click the “Settings” icon to customize the video/audio settings: Video Codec, video size, bit rate, frame rate, Audio codec, sample rate, audio channels for Final Cut Pro. 3. Start MXF to ProRes Conversion on macOS Sierra Click the big “Convert” button at the bottom right corner, this Mac MXF converter will start to convert MXF to ProRes for Final Cut Pro immediately. Once the conversion completes, directly import the converted files to FCP, and then you can play, edit MXF files in Final Cut Pro X/7 freely. ![]() You're done. If you want to transcode MXF footage for Premiere Pro, please choose the "Adobe Premiere/Sony Vegas --> MPEG-2(*.mpg)" as output; For iMovie or FCE 4, choose the "iMovie and Final Cut Express -> Apple InterMediate Codec (AIC) (*.mov)". For Avid MC, choose "Avid Media Composer > Avid DNxHD(*.mov)". Related Topics: Work MXF files in Camtasia Studio Convert MTS/M2TS to Camtasia Studio 7/8 Editing Canon XF100 MXF files in Final Cut Pro X Play AVCHD MTS files on Windows Media Player Editing Canon XC15 MXF files in Premiere Elements Working Sony PMW-500 MXF files in Final Cut Pro X Converting Sony XDCAM HD MXF files to EDIUS Pro Convert M2TS to MP4 for Playback on Plex Media Server Editing C300 MK II MXF files with Windows Movie Maker Edit Canon C700 4K MXF in Premiere Pro CC/CS6/CS5/CS4 Transcode Sony MC2500 AVCHD files to Premiere Elements Transcoding Canon XC15 MXF files to Avid Media Composer Editing Sony PXW-X180 AVCHD files in Davinci Resolve 12.5 Import Panasonic HC-PV100 AVCHD files into Final Cut Pro X/7 Transcoding Sony VG30 AVCHD to Apple ProRes MOV for FCP 7/X Converting Sony VG30 AVCHD MTS files in Premiere Pro CC 2015.3 Transcoding Sony AXP35 AVCHD to Apple ProRes MOV for FCP 7/X Importing Sony MC2500 AVCHD MTS files into Premiere Pro CC 2015.3 Transcode Canon C700 XF-AVC MXF to DNxHD MOV for Avid MC 8.5/8 Source:Transcode MXF to ProRes on Mac OS X El Capitan
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| valianttankr | May 28 2018, 02:46:00 PM Post #2 |
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